Showing posts with label research. Show all posts
Showing posts with label research. Show all posts

Saturday, 1 January 2011

Making and Unmaking Text across performance disciplines





My proposal to present my writing practice at Beyond Text has been accepted. I will be presenting "Writing Centres", a practical investigation of the relationship between spatial and compositional structures in my current project Arena. The presentation of practice will explore text images in relation to performance, the resolution of movement practice in text, how a physical and writing practice meet...This research ground has evolved through my current post-graduate studies at Camberwell College of Arts and TrinityLaban (visual arts and choreologicalstudies).

I will be exploring spatial concepts beginning with the assignment of a centre within the kinesphere, the physical space constituted by our physical structure, the far reach of which is determined by motility. I will consider this concept in relation to text- where is the centre of the text, what centre of gravity? Through this analogy to the body I will ask questions about peripherality and multiple centres, exploring how this spatial strucuturing functions in my current text project Arena as I experiment with book and performance structures.

Central to the rationale for such a discussion is the usefulness of information transfer between disciplines- the understanding of one thing in terms of another and the possibility afforded my these multiple lenses.

Making and Unmaking Text is a dialogue addressing sites of language in contemporary practices. The three day eventlooks to expand the notion of the academic conference and is funded by AHRC as part of Beyond Text research.




http://textmaking.blogspot.com/

Thursday, 25 November 2010

Fired books



1968. Un-titled.
 
1968. Un-titled.
  



My present work focuses on memory, identity, historical truth, change, our links with past and fragility of those links. I take books, that no longer have the society that supports them and I reduce their materiality and their content to an immensely fragile state  - so fragile, that they may disintegrate in hands - just like the memory of the times, that they represent.

I do not fire random books. The books fired for this project come from a wheelbarrow in Lithuania: in the summer of 2009 they were ready for the fireplace. The books are old Soviet text books and propaganda books, published in the sixties and the seventies. They very much representative of their times and their locale. Not only for then truths they contain, but also for their indexality. So I cremate them, I purge them of the memories and the thoughts and the residue that they carry.




- Egidija Čiricaitė

Friday, 12 November 2010

Tree Books

Just wanted to share my eureka moment of the week… while playing with structure for Les's project, almost by chance i came to this:




… i affectionately call it my 'broccoli-binding'.  x  ᕩarolina.

Monday, 8 November 2010

The performing book

The performing book is a structure for five or more dancers co-authored by the audience in a playful exchange. For the above performance at Siobhan Davies Studios the work was realised by Anais Bouts, Rosalie Wahlfrid, Katja Nyqvist, Kat Cooper, Lizzie Sells,Vanessa Abreu, Katy Pearce, Lena Kimming and Mark Carberry.